Vintage Compressors
by Native Instruments
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STUDIO LEGENDS
- VC 76 – Fast, punchy FET compressor
- VC 2A – Smooth, warm optical compressor
- VC 160 – Bold, dirty VCA compressor
THE VINTAGE ADVANTAGE
NATIVE INSTRUMENTS and Softube present VINTAGE COMPRESSORS —painstakingly accurate emulations of three of the most heavily-used compressors in studio history.
The VC 76, VC 2A, and VC 160 feature a modern, clean design for intuitive usability while each maintains its own unmistakable sound. Thanks to added sidechaining and parallel compression, these VINTAGE COMPRESSORS actually improve on the originals.
The VINTAGE COMPRESSORS collection includes all three devices. Each compressor is also available separately. All effects run as native plug-ins in your host DAW.
THREE'S COMPANY
Each of the three compressors has its own unique character and specific advantages:
VC 76: Workhorse compressor with a fast attack. Great presence, punchy, clear high end. Good for drums, vocals or stereo limiting.
VC 2A: Smooth compressor with a silky, natural sound. Great on vocals, bass, pads and guitar.
VC 160: Classic compressor for added attack and a subtle drive. Especially good on kickdrum, snare, bass or guitar.
EVEN BETTER THAN THE REAL THING
All three VINTAGE COMPRESSORS come with an added sidechain input. This essential enhancement provides much more than the characteristic ducking/pumping sound, allowing a wide range of creative compression techniques. Each VINTAGE COMPRESSOR also provides a dry control, for applying parallel compression.
Read more about compression, and what you can do with it, in About Compression.
ABOUT SOFTUBE
VINTAGE COMPRESSORS is produced in collaboration with Softube. These "Swedish rock 'n' roll scientists" specialize in incredibly accurate software emulations of professional audio hardware. As well as working with NATIVE INSTRUMENTS, they make a wide range of their own products. Their reputation in the industry is exceptional.
ARTISTS ON VINTAGE COMPRESSORS
"What I liked about these compressors was their sound: there's a certain warmth I have only ever got by using real valves."
Howie B. (worked with Tricky, U2, ...)
"I have been striving to achieve that raw almost analog tape fatness to my music and adding the vintage compressors to my signal path is giving me that feel and punch and warmth I'm looking for."
Che Pope (worked with Mary J. BLige, Lauryn Hill, ...)
"I've been using them in place of my usual compressor chains, and I must say they are very impressive!"
Marius de Vries (worked with Brian Eno, Björk, ...)
"They all have tons of character and punch, and sound very musical across a variety of sources."
Graham Archer (Sarm Studios, one of Trevor Horn's top engineers)
SYSTEM REQUIREMENTS
<platform mac/> macOS 13, 14 or 15 (latest update)
<platform win/> Windows 10 or 11 (64-bit, latest Service Pack)
Intel Core i5 or equivalent AMD CPU, 4 GB RAM (6 GB recommended)
Apple Silicon Mac (native mode or using Rosetta 2)
An Internet connection and a graphics card that supports OpenGL 2.1 or higher are required to download and activate this product. Once installed and activated, the product can be used offline.
Supported interfaces:
Windows (64-bit only): VST, VST3, AAX
Mac OS X (64-bit only): VST, VST3, AU, AAX
LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. Vintage Compressors is manufactured and developed by Native Instruments and Softube based on its own modeling techniques. Universal Audio has not endorsed nor sponsored the Vintage Compressors in any manner, nor licensed any intellectual property for use in this product.
ABOUT COMPRESSION
WHAT IS A COMPRESSOR?
A compressor is a special kind of amplifier, used to reduce dynamic range. It's basically an automatic volume control, making the quiet parts of a track louder and reducing over-loud peaks for a more consistent, even sound. The most basic parameters of a compressor are gain, threshold, ratio, attack and release:
GAIN
The gain control lifts the gain level across the whole track. The quiet parts become louder and more present, and the peaks, which are now even louder, get taken care of later.
THRESHOLD AND RATIO
The threshold is the point where the compressor starts working. Any incoming signal louder than specified threshold gets compressed, making it quieter. How much quieter depends on the ratio. For example: if an incoming signal exceeds the threshold by 10 db, and you have a ratio of 10:1 (ten to one), the signal at the output will be 1 db higher than the threshold.
ATTACK
The attack time determines how fast the compressor starts working after the incoming level exceeds the threshold. Beware of overly short attack: this can shave off the transients,* creating a dull, lifeless sound. If the attack is too long, though, the compressor responds too late. Use your ears, not your eyes, to set attack time.
*Transients are non-harmonic material at the onset of the sound. They add character and brightness.
RELEASE
This is the time it takes the compressor to stop working after the incoming level has fallen below the threshold. It typically ranges from 20 ms up to a few seconds — the faster the release, the harder the compression. Overly short release times can result in undesirable 'breathing' or 'pumping' effects. Every source needs a different release time, so experimentation is required.
TIPS AND TRICKS
As a great man once said: if it sounds good, it is good. Nothing beats experimentation, so take time to try out the different settings of the three VINTAGE COMPRESSORS and see what works for you. Here are some additional techniques to try...
CHAINING COMPRESSORS
If you use a 'slow' compressor on very dynamic material, such as vocals with big peaks, it can lead to breathing or pumping effects. To avoid this, put a fast compressor, such as the VC 76, before the slow compressor in a chain. The faster compressor is there to reduce the big peaks, so set threshold and ratio high, with a relatively fast attack and release. Then the smoother compressor — with the threshold and ratio low, medium/slow attack and release — can operate better.
SIDECHAIN DUCKING
This is often used by radio DJs for reducing the volume of a track while they talk. The compressor is on the music, and a control signal — in this case the DJ's microphone — is assigned to the sidechain input. When the DJ starts talking, the signal triggers the compressor, which reduces the volume of the track — the music 'ducks' out of the way. In music production, this function is often used to duck synth pads using the kickdrum for a characteristic 'pumping' sound, or to duck a bassline via the kickdrum to keep the bottom 'clean'. Put the compressor on the track to be ducked, assign the kick drum as control signal sidechain input.
FREQUENCY-ADAPTIVE COMPRESSION
This is useful for controlling specific problematic frequencies in an instrument, or for compressing a selected frequency range only. Put the compressor in an insert on the track you want to compress, and send the signal from this track to an auxiliary bus. Insert an EQ effect on the auxiliary bus, then route the 'out' of auxiliary bus to the sidechain input on the compressor. Now adjust the EQ in the auxiliary bus until only the problematic frequencies are heard, and these frequencies will then trigger the compression.
ARTISTS
What the pros say about VINTAGE COMPRESSORS
TIM GOLDSWORTHY
"I really like VC 76, it does exactly what i would want it to do. I'm very fussy with my plug ins but this could probably be my go to plug in compressor. Excellent!"
Tim Goldsworthy (co-founder DFA Records, currently producing Massive Attack and The Maccabees)
ZDAR (CASSIUS)
"I just had the chance to compare the Vintage Compressors with the three originals in the mixing process of a song. First I tried the VC 160 - and was amazed by the reaction of the compressor. I can dial in the same settings and it really sounds like a lovely DBX. Trying the VC 76 in "British Mode" I discovered again: it could have been one of my beloved hardwares ones! Finally the VC 2A - I pushed it super hard and recognized the typical sound of the real stuff straight away.
In the end, my assistant Julien asked me if he could empty the rack to go on eBay... I think I still need a little more time to think about that.
But Honestly, in any way I have to CONGRATZ you guys, I really dig the recreation. "
Zdar (Producer for Phoenix, Beastie Boys, The Rapture)
STEPHEN W TAYLER
"Now, with the VC 160 plugin from SofTube/NI we not only have a true emulation of the original, but with the addition of parallel compression, side-chaining and the extremely useful low filter we have a complete powerhouse that goes way beyond the capabilities of the original unit. Not to mention that it is a no-brainer to use on stereo tracks and busses. The same is true of the two other emulations, these are also firm studio favourites of mine, particularly for vocals. I can’t wait to use these on all my mixes!"
Stephen W Tayler (recording and mixing engineer for Kate Bush, Suzanne Vega, Tina Turner, Stevie Nicks, Milla Jovovich, Rush, Bob Geldof, Underworld, Duncan Sheik etc.)
GRAHAM ARCHER
"Vintage Compressors are a fantastic addition to Guitar Rig, they introduce classic emulations of some of the most popular compressors of the last 50 years. Between the VC 76, VC 160 and the VC 2A you have the flexibility to be as aggressive or as subtle as you like with your compression. They all have tons of character, punch and sound very musical across a variety of sources. The GUIs have been beautifully recreated and anyone that's used the original units will be at home in seconds. Having dynamic processing of this kind of quality really opens up Guitar Rig to a wider audience. We now see Guitar Rig as a wonderfully diverse effects processor suitable for anything from vocals to drums not just a pedal board for guitarists."
Graham Archer (Sarm Studios, one of Trevor Horn's top engineers, Graham's credits include Robbie Williams, Jeff Beck, Massive Attack)
ROBBIE BRONNIMANN
"The biggest excitement for me was the VC 160 included. This is without doubt my weapon of choice for a lot of compression duties. It's great to a have such a good sounding native option available now with all the snap of the original."
Robbie Bronnimann (producer, recording and mixing engineer for Howard Jones, Nicki Minaj, John B. etc.)
CHE POPE
"The new vintage compressors are perfect in my arsenal because I have been striving to achieve that raw almost analog tape fatness to my music and adding the vintage compressors to my signal path is giving me that feel and punch and warmth I'm looking for. Thanks again Native you did it again!"
Che Pope (worked with Mary J. BLige, Lauryn Hill, ...)
JACKSON AND HIS COMPUTER BAND
"My first reaction was a bit sceptical to be honest, but i'm really happy with the way they behave - i really like the dry level function and the low cut thing as well ... they sound great!!"
Jackson and his Computer Band (WARP, Sound of Barclay)
HOWIE B.
"What I liked about these compressors was their sound: there's a certain warmth I have only ever got by using real valves. Use it on a bass guitar and start with the minimum amount of compression and you will hear what i am talking about. Vintage Compressors have found a home in my studio."
Howie B. (worked with Tricky, U2,)
MARIUS DE VRIES
"I've been using them in place of my usual compressor chains, and I must say they are very impressive - I keep forgetting they are there, if that's not too much of a backhanded compliment!"
Marius de Vries (worked with Brian Eno, David Bowie, Björk, ...)
JAY HAZE
"I've worked with hardware from the beginning - but the problem with hardware is: you need a studio, which I don't really have since I decided to go global with my social efforts. To continue making music, I had to make the switch to software, so I got in tune with Native Instruments, as they have great knowledge of what it is that I need. I literally can not tell the difference anymore - maybe it's all in the mind. Great Job Native Instruments!"
Jay Haze (Contexterrior, Cocoon, Bpitch, ...)
(Foto: Hans Stoll)
Vintage Compressors
Three of the most popular compressors in studio history, with added sidechaining and parallel compression, for legendary character.
If you already own Native Instruments products, you might qualify for a better price, log in to see.
Download: available immediately
Vintage Compressors at a glance
| Product type | High-quality vintage compressor emulation bundle |
|---|---|
| For use with | All popular host sequencers as a native plug-in |
| Effect category | Studio Compressors |
| User manual | Download Manual |