KK Sold Out/Out of Stock

I just noticed that some of the KK models are 'out of stock (delivery expected July)' but the S61 says 'Sold Out!' - does this mean that there aren't going to be any more? Are they bringing out a new model or something?

 

Sweetwater says, "Available Soon".
https://www.sweetwater.com/store/detail/KompKS61

S-49 in stock.

S-88 available soon.

S-25 available soon.

Terry

 

Yeah, I've seen it available on other 3rd party sites, just wondering whether it was significant that it said 'sold out' on NI's own site...

 

I have been wondering the same. NI recently had a big sale on the Kontrol, I wonder if it is to be discontinued/upgraded?

 

The website who published this has removed this already. No other sources cited.

Leaked? Doctored?

I wish I saved that page

 

Leaked ,more info tomorrow

 

https://m.bonedo.de/artikel/einzela...-native-instruments-komplete-kontrol-mk2.html

 

Translated

MACHINE MK3
The classic modern production and performance system is now better than ever before
Elegant new design
Layout was optimized on the basis of comprehensive customer and artist surveys to enable the fastest and most intuitive workflow
Contains a professional 96 kHz / 24 bit audio interface with stereo and microphone inputs as well as line and headphone outputs
Larger pads make fingerdrumming even easier without losing the established feel of the MK2
Search for sounds, edit notes or samples directly from the hardware via high-resolution color displays.
The focus remains fully on the music and not on the computer
Unprecedented integration with KOMPLETE and NativeControl standard (NKS) instruments, plus full VST / AU support
New dedicated buttons for frequently used functions such as Note Input Mode, Lock, Macro and more
4-Dimensional Push Encoder makes browsing and navigating even easier
New Smart Strip for a completely new feel to play: play chords like on the guitar or control MASCHINE's Perform FX
Power supply via USB or supplied power supply
Many further improvements and optimizations
Price: 599 Euro (identical to the MK2)
Commercially available from 5 October 2017

COMPLETE CONTROL S49 & S61 MK2
The fully integrated, smart keyboard controller for all virtual instruments
Elegant new design for improved, holistic workflows
Half-Weighted 49 & 61 Fatar Keybeds with Aftertouch
Unprecedented integration with KOMPLETE and NKS instruments, plus full VST / AU support
Two high-resolution color displays for a quick overview of instruments, presets, parameters and much more
LightGuide with RGB lights above each button allows to recognize single drum cells, key switches, chords, scales and more at a glance
Rubberized pitch and modwheels, plus a freely assignable touch strip for even more creative possibilities
4-Dimensional Push Encoder for one-handed navigation and soundbrowsing
Improved layout with even more dedicated buttons for the most used software features
Improved MACHINE integration as well as intuitive transport, mixer and edit controls for Logic, Ableton Live and GarageBand, Cubase and Nuendo will be released this year
Price: S49 599 €, S61 699 €

Perhaps the most important first: The MK3 now has its own sound card (I hear a scene applause, as one knows it from Apple presentations?). It is a simple line-in / out plus an additional microphone input and a headphone output. Thus, Native Instruments is unquestionably fulfilling a heart of many users. The second obvious innovation: the MK3 now also has those high-resolution color displays, which until now have only been installed in machine studio. At all, the entire layout is a whole new look. Perhaps the most obvious change is that the space between the pads has become smaller and the pads are larger - a significant advantage in finger drumming. The former master section was also updated: Here, a single rotary push encoder (in the previous version, three potentiators) and corresponding function buttons were located here. This is followed by a touch strip, as already known from the Kontrol S series. Context-related tasks can be performed with various tasks - including pitch changes, modulations, parameter changes, notes input and arpeggios. With the new machine software, however, complete lock-state morphing of all (!) Parameters is possible. We've tried this at the presentation: it's really "gone" when a track to the break, infinitely changes its sound. I speculate that - after the omnipresent Trap-Note-Repeat Hi-Hats - the next big thing could become.

Back to Hardware: The whole look is now slimmer, more modern and much more elegant. This can be seen in details, such as the potentiometer buttons, the new typography and the considerably darker optics, but also the omission of superfluous elevations and depressions of the housing. The MK3 is only a single, angular black block. "Sharp-edged" is, by the way, to be understood in the wortinn, because the corners are really extremely pointed - I can imagine that they will be the one or other performers sometimes painfully. Obviously, the new displays, which correspond technically to those of the machine studio, are jumping into the eye. This means that the information density and depth that can be read directly on the device is significantly increased and now corresponds to what we have already been able to report on the workflow with Maschinenstudio.
There are countless innovations, which should be mentioned, but we reserve the right for the full test, which you can read here soon. However, our first conclusion is consistently positive: Native Instruments has rarely had the feeling that user requirements have been incorporated directly into product development. Especially the integrated sound card should have been on the top of the wish list for almost all machine users. Pleasing also that the price remained stable the MK3 has the same list price as the earlier MK2. It may be a bit painful for users who have just bought their MK2, because the new version is unquestionably a "major update" - not a revolution, but a new development, the way how to use the machine Soft- and Hardware network works.

Komplete kontrol has also been modernized. Let's start from behind: The LED Light-Guide-System and the very good playable Fatar-Keyboard with Aftertouch remained. All drummers have experienced a change. Obviously here are first the two displays, which are identical with those of the machine studio. This makes, of course, an incomparably higher and more complex information density. This includes not only browsing the Komplete library, but also working with DAWs, NKS-compatible plugins, and VSTi plugins. They can all be commanded with the new controls.
In a first demo at Native Instruments, it was already shown that both the transport functions as well as the mixer from Ableton Live can be controlled via the control keyboard and the mixer's level display can be visualized on the keyboard. Support for Logic Pro X, GarageBand, Cubase and Nuendo will follow soon. On the hardware itself, the new controller wheels fall into pitch and modulation. Here, Native do without touch strips and instead return to mechanical wheels, which are ergonomically advantageous, a little tipped away from each other. A horizontally oriented touch strip remains, which is occupied with various context-related tasks (including "strumming" of notes, arpeggios and control of modulations). Here, as in the case of the machine MK3, it should be noted that both device series are now completely bus-powered via USB and an external power supply is dispensed with.

 

The second generation Kontrol S is very impressive, but is lacking one thing: either a 76 or an 88 key version.
Preferrably semi-weighted and not a hammer action (as I am not really a fan of the current action on the Kontrol S88: noisy, sluggish).
The new models look great, but 61 keys really is not enough.
But other than these wishes: great job, NI!

 

This is quite frustrating because I got an S49 not long after starting this thread and haven't even had time to use it yet