Terminal Glitch 2
4 Track Percussion/Melody Sequencer
Nothing has changed apart from the new smaller face panel as requested by some users. Hopefully this will fit on the screen a bit better.
-You can now select between the standard Oscillators or the new WaveTables.
-Each Osc has a Saturation stage in the Filter section, with a variety of flavours.
-Modulation has been completely rewired now with 36 destinations (including the Attack and Decay times for each OSC). Press the Modulation button in the Global section to view the options.
-Frequency Shifter, Quantize and Sample Reduction added to the effects section.
-Master Filter now features four routing options.
-2 x LFO's with LFO1 x LFO2 and LFO1 - LFO2 selectable as modulation sources.
-Snapshots controllable via Midi CC or Midi Notes.
-A dedicated Wavetable editor in the 'B' view.
-Waveform display, particularly useful for viewing the result of LFO1 x LFO2.
-Improved GUI layout.
Credits go out the usual suspects, Rick Scott, Clist and Theologiae. There is a couple of people I forgot to mention the first time round. Mike Daliot and James Walker-Hall's 'Metaphysical' was a direct inspiration for the Automation Faders. Dieter Zobel's 'Skurrilia' was also a large inspiration for this instrument.
p.s. Sorry, it's a bit of a screen hog!