DER KLANG DER BLECHBLÄSER
BRASS vereint das gesamte Klangspektrum der Blechbläser. Aufgenommen in der für ihre Akustik berühmten Saint Paul’s Church in San Francisco, bietet BRASS sowohl die orchestrale Kraft eines 32-köpfigen Ensembles als auch Einzel-Sounds großartiger Solisten und ihrer Instrumente.
TADELLOS VIRTUOS
Von der Aufnahme des ersten Samples bis zum letzten Feinschliff – jeder Sound wurde mit größter Sorgfalt produziert.
ERHÄLTLICH IN ZWEI VERSIONEN
SYMPHONY SERIES und SYMPHONY ESSENTIALS basieren auf denselben Aufnahmen und werden beide über das gleiche, leicht zu bedienende Interface gesteuert. Die Vollversion – SYMPHONY SERIES – bietet maximale Klangtiefe und höchste Detailtreue. Und SYMPHONY ESSENTIALS liefert die gleiche Klangqualität in einem kleineren Package.
SYMPHONY SERIES – BRASS
Alles was man für die Arbeit an Soundtracks braucht. SYMPHONY SERIES – BRASS ist auf die unterschiedlichsten Einsatzgebiete zugeschnitten und stellt Kreativität und Workflow in den Mittelpunkt. Über 300 Artikulationen, Zugriff auf vier diskrete Mikrofon-Mixe, integrierte Effekte und ein leicht zu bedienendes Interface machen SYMPHONY SERIES – BRASS zum besten Tool für Vertonungen jeder Art: Filme, Games oder andere Projekte.
- 47 GB (komprimiert)
- Separate ENSEMBLE- und SOLO-Libraries
- 183 ENSEMBLE- und 120 SOLO-Artikulationen
- Realistisch klingendes Legato dank True Legato
- Time-Stretching für lange Artikulationen
- Zugriff auf vier diskrete Mikrofon-Mixe und dezidiertes Mixing-Interface
- Effekte: EQ, Reverb, Kompression und Filter
[cta label="ZU ALLEN FEATURES" link="/products/symphony-series-brass" title="ZU ALLEN FEATURES"]
SYMPHONY ESSENTIALS – BRASS
SYMPHONY ESSENTIALS – BRASS umfasst eine kleinere Library, kombiniert mit einer Auswahl der wichtigsten Artikulationen. Diese Version liefert beeindruckend realistisch klingende Ergebnisse und eignet sich dank des reduzierten Speicherbedarfs, einfacher Bedienung und optimierter Performance besonders für Pop- und Elektronik-Produktionen.
- 6,5 GB (komprimiert)
- Separate ENSEMBLE- und SOLO-Libraries
- 73 ENSEMBLE- und 80 SOLO-Artikulationen
- Legato-Nachbildung
- Kein Time-Stretching
- 1 Mikrofon-Mix, kein Mixing-Interface
- Effekte: EQ, Reverb, Kompression und Filter
SOLO UND ENSEMBLE
Beide Versionen enthalten separate KONTAKT-Libraries für mehr Übersicht bei der Suche nach dem richtigen Sound: Die eine Library versammelt alle Einzelinstrumente, in der anderen lassen sich mehrere Sektionen ganz einfach kombinieren.
BRASS SOLO
Der Klang großartiger Solisten: Bb-Trompete, Posaune, 1. Solo-Horn, 2. Solo-Horn und Tuba – alle verfügbar als einzelne KONTAKT-Instrumente, die sich aber auch als perfekt zusammengestelltes Quartet spielen lassen. Der Sound ist dabei immer beeindruckend realistisch – dank 120 Artikulationen (80 in ESSENTIALS), authentischem Legato, bis zu acht alternierenden Samples, Anschlagdynamik und Zugriff auf vier diskrete Mikrofon-Mixe.
[cta label="ALLE FUNKTIONEN IM ÜBERBLICK" link="/products/symphony-series-brass" title="ALLE FUNKTIONEN IM ÜBERBLICK"]
BRASS ENSEMBLE
Der fulminante Sound eines 32-köpfigen Blechbläser-Ensembles, bestehend aus vier Sektionen mit jeweils acht Spielern: Trompeten, Hörner, Posaunen und Tubas. Mit 183 Artikulationen (73 in ESSENTIALS), Effekten, authentischem Legato und bis zu acht alternierenden Samples klingt das Orchester beeindruckend transparent und vielschichtig. Jede Sektion kann als einzelnes KONTAKT-Instrument oder auch multitimbral als perfekt zusammengestelltes Ensemble gespielt werden.
[cta label="ALLE FUNKTIONEN IM ÜBERBLICK" link="/products/symphony-series-brass" title="ALLE FUNKTIONEN IM ÜBERBLICK"]
ENTWICKELT IN ZUSAMMENARBEIT MIT SOUNDIRON
BRASS und WOODWIND wurden gemeinsam mit Soundiron entwickelt. Das mit vielen Auszeichnungen gekürte Team hat sich auf virtuelle Instrumente für Film-, TV- und Game-Musik spezialisiert.
[cta label="MEHR ÜBER SOUNDIRON" link="https://soundiron.com/ target=blank" title="MEHR ÜBER SOUNDIRON"]
THE FULL SYMPHONIC ORCHESTRA
Die SYMPHONY SERIES – COLLECTION ist die definitive Zusammenstellung von Orchesterinstrumenten – gespielt von Weltklasse-Musikern, aufgenommen von den besten Tonmeistern. Die Instrumente werden von Native Instruments in Berlin für KONTAKT konzipiert, programmiert und optimiert. Um einen einheitlichen Workflow sicherzustellen, werden alle SYMPHONY SERIES-Instrumente über das gleiche intuitive Interface gesteuert.
Die SYMPHONY ESSENTIALS – COLLECTION basiert auf den gleichen Aufnahmen, nutzt dasselbe Design und garantiert einen ebenso transparenten Workflow. Die kleineren Libraries beinhalten die wichtigsten Sounds und Artikulationen, beanspruchen weniger Speicher, sind preisgünstig und eignen sich so besonders gut für weniger komplexe Projekte.
IN COLLECTOR’S EDITION ENTHALTEN
KOMPLETE ist schon seit langer Zeit die beliebteste Instrumenten- und Effektsammlung bei Künstler*innen, Musiker*innen und Sound Designer*innen – und beinhaltet alles, was du brauchst, um kreativ zu sein. Dieses Produkt ist in KOMPLETE 14 COLLECTOR’S EDITION enthalten.
[cta label="KOMPLETE ENTDECKEN" link="#resolve-cta-20721" title="KOMPLETE ENTDECKEN"]
RECORDINGS
RECORDED SECTIONS (BRASS ENSEMBLE)
Trumpets (E3 - C6)
8 Bb trumpets
(with straight mute, harmon mute and cup mute recordings)
Horns (D2 - D5)
8 F/Bb double horns
(with stop mute recordings)
Trombones (E1 - D5)
8 players
Alto, Tenor, 3 F attachment Tenors, Contrabass, 2 Bass
Tubas (C1 - C5) 8 players
4 Euphonium, Contrabass, 3 Bass
RECORDED SECTIONS (BRASS SOLO)
Solo Bb Trumpet (E3 - C6)
Solo Horn 1 (A#2 - D5)
Solo Horn 1 (D2- E5)
Solo Trombone (D1 - D5)
Solo Tuba (C1 - C4)
MICROPHONE SETUP
Close
4 Neumann TLM 103s (cardioid, main array)
2 Neumann TLM 67 (omni, wide)
Mid
2 Neumann TLM 103 (cardioid, main array)
2 Neumann TLM 107 (omni, wide)
Far
2 Neumann TLM 103 (cardioid, far)
2 Neumann TLM 102 (cardioid, back of house)
LOCATION
Recorded in the sanctuary hall at Saint Paul's Church, San Francisco
EQUIPMENT
2 Sound Devices 788 SSD 8-channel solid state recorders (linked)
CONTENT
BRASS ENSEMBLE
Size
46 GB of sample content (27 GB after lossless ncw compression)
Samples
25,752
Total articulations
183
Number of NKIs
25
Including full ‘Brass Ensemble’ NKI
Microphone mixes
4 - Close, Medium, Far and Stereo Master Mix with independent mixing, routing, panning and loading.
BRASS SOLO
Size
31 GB of sample content (17 GB after lossless ncw compression)
Samples
19,420
Total articulations
120
Number of NKIs
30 including group ‘Brass Quartet’ NKI
ARTICULATIONS OVERVIEW
INSTRUMENT DESIGN
PERFORMANCE CONTROLS
Dynamics
Easy, real-time adjustment of loudness and intensity (MIDI CC1).
Attack
Increases the fade-in time per note to simulate realistic variations throughout a passage.
Release
Applies an additional envelope to the fade-out phase of the notes.
Tightness
Determines the starting point for the playback of a sample.
Motion
Adds movement to the sound by modulating note pitch and intensity.
ADDITIONAL CONTROLS
Repetition
Selects the number, rhythm, and accent of automatic attack note repeats.
Legato
Adjusts speed of transition. Select between Solo or Duet and Flip or Slur modes.
Progress indicator
Visualizes how the intensity, volume or pitch evolves over time (Expression articulations only).
Round robin
Indicator visualizes the selection of the alternative samples.
Playback
Adjusts speed of rhythmic articulations.
ARTICULATION SET UP
- Assign up to eight articulations to Key switches or a MIDI CC (both with MIDI learn)
- Key switches can be subdivided by velocity, MIDI CC by value range
- Independent volume controls for each articulation
- Visual representation of all articulations
MIXER AND EFFECTS
Microphone mixes
Independent controls for Stereo, Close, Mid and Far mixes with Volume, Pan, and Routing options
Effects
- Convolution reverb with 100 custom impulse responses
- 3 band EQ, Filter, and Compression
- All mixer settings can be saved for recall in other NKIs
BRASS ENSEMBLE ARTICULATIONS
SUSTAINS
Real-time dynamic layer control for expressive performances, simulated legato, repeater, and arpeggio generation.
| TUBAS | TROMBONES | HORNS | TRUMPETS |
|---|---|---|---|
| A0 - E5 Sustain All Sustain Trill Sust. Decrescendo Sust. Crescendo Sust. Bend Up Sust. Bend Down |
A0 - G5 Sustain All Sust. Str. Mute Sustain Trill Gliss Sust. Trill Tongued Sust. Bend Up Sust. Decrescendo Sust. Crescendo |
G1 - G5 Sustain All Sust. Single Tongue Sust. Flut. Tongue Trill Semi-Tone Sust. Decrescendo Sust. Crescendo Step Up 3 Loop Sust. Stop Mute |
C3 - E6 Sustain All Sust. Dbl. Tongue Sust. Flut. Tongue Trill Semi-Tone Trill Horse Trill Whole Tone Sust. Decrescendo Sust. Crescendo Step Down 3 Loop Step Up 3 Loop Sust. Str. Mute Sust. Harmon Mute Sustain Cup Mute |
STACCATO
Single, double, and triple-tongue staccatos with round robins and automatic repetition features. Up to 8 round-robin variations and pp/ff dynamic layering.
| TUBAS | TROMBONES | HORNS | TRUMPETS |
|---|---|---|---|
| A0 - E5 Staccato Staccato p Staccato F Staccato Velocity |
A0 - G5 Staccato Staccato p Staccato mf Staccato F Stac. Dbl. Tongue Stac. Triple Tongue Stac. Bend Down Staccato Bend Up Stac. Str. Mute Staccato Velocity |
G1 - G5 Staccato Staccato p Staccato F Stac. Stop Mute Staccato Velocity |
C3 - E6 Staccato Staccato p Staccato mf Staccato F Stac. Triple Tongue Stac. Str. Mute Stac. Cup Mute Stac. Harmon Mute Staccato Velocity |
LEGATO
True legato sustains for each section.
| TUBAS | TROMBONES | HORNS | TRUMPETS |
|---|---|---|---|
| A#0 - C#5 True Legato True Legato p True Legato mf True Legato F |
C1 - G4 True Legato True Legato p True Legato mf True Legato F |
G1 - G5 True Legato True Legato p True Legato mf True Legato F |
C3 - E6 True Legato True Legato p True Legato mf True Legato F |
Expression
With expression release system. Tempo-synching and/or time stretching available for most expressions.
| TUBAS | TROMBONES | HORNS | TRUMPETS |
|---|---|---|---|
| A0 - E5 Decrescendo Slow Decrescendo Fast Sforzando Crescendo Swell Fast Swell Slow Strong FF Blast FFF Trill HS Bend Down Bend Up |
A0 - G5 Bend Up Decrescendo Sforzando Crescendo Swell Trill Gliss Trill Tongued Blast FFF |
G1 - G5 Bend Down Blast FFF Decrescendo Sforzando Crescendo Swell Step Up 1 Step Up 2 Step Up 3 Sforzando Slow Swell Slow Marc. Stop Mute |
C3 - E6 Decrescendo Sforzando Crescendo Swell Step Down 1 Step Down 2 Step Down 3 Step Up 1 Step Up 2 Step Up 3 Blast FFF Str. Mute Decresc. Str. Mute Sforz. Str. Mute Cresc. Str. Mute Swell |
| TUBAS | TROMBONES | HORNS | TRUMPETS |
|---|---|---|---|
| Breath 1 Breath 2 Cluster Swells Cluster Cluster Loop Octave Chord Staccato Cluster Sweep Up Tuning Tuning Loop Valve Clearing Warm Up Valve Clicks |
Breath Cluster Swells Cluster Staccato Cluster Bend Cluster Cluster Loop Dramatic Run Dram. Run Loop Slide Fall Slide Flutter Slide Staccato Sweep Unison Sweep Down Sweep Up Tuning Tuning Loop Valve Clearing Warm Up Warm Up Loop Mute Clust. Swells Mute Cluster Mute Cluster Loop |
Bend Down Breath Staccato Cluster Sweep Up Tuning Valve Clearing Warm Up Warm Up Loop |
Cluster Cluster Loop Shake Sustain Cluster Stabs Blast Down Blast Up Sweep Hold Sweep Hold Loop Sweep Tuning Tuning Loop Valve Clearing Warm Up Warm Up Loop Harmon Cluster Harmon Wahs |
BRASS SOLO ARTICULATIONS
Effects
Aleatoric, clusters, discords, flourishes, stabs, sweeps, and more.
SUSTAINS
Real-time dynamic layer control for expressive performances, simulated legato, repeater, and arpeggio generation.
| SOLO TUBA | SOLO TROMBONE | SOLO HORN 1 | SOLO HORN 2 | SOLO TRUMPET |
|---|---|---|---|---|
| E0 - E4 Sustain p Sustain f |
C1 - E5 Sustain p Sustain mf Sustain f |
C2 - G5 Sustain p Sustain mf Sustain f |
C2 - E5 Sustain p Sustain mf Sustain f Sust. Stop Mute |
C3 - E6 Sustain p Sustain mf Sustain f Sustain Cup Mute Sust. Harmon Mute Sust. Str. Mute |
STACCATO
Single, double, and triple-tongue staccatos with round robins and automatic repetition features. Up to 8 round-robin variations and pp/ff dynamic layering.
| SOLO TUBA | SOLO TROMBONE | SOLO HORN 1 | SOLO HORN 2 | SOLO TRUMPET |
|---|---|---|---|---|
| E0 - E4 Staccato p Staccato F Stac. Tongue Stop Stac. Dbl. Tongue Staccato Velocity |
C1 - E5 Staccato p Staccato mf Staccato F Staccato FFF Stac. Tongue Stop Stac. Triple Tongue Staccato Velocity |
G2 - G5 Staccato p Staccato F Stac. Triple Tongue Stac. Tongue Stop Staccato Velocity |
C2 - G4 Staccato p Staccato F Stac. Stop Mute Stac. Triple Tongue Staccato Velocity |
C3 - E6 Staccato p Staccato F Stac. Triple Tongue Stac. Tongue Stop Stac. Cup Wah Stac. Harmon Mute Stac. Str. Mute Stac. Mute Tpl. Tong Staccato Velocity |
LEGATO
True legato sustains for each section.
| SOLO TUBA | SOLO TROMBONE | SOLO HORN 1 | SOLO HORN 2 | SOLO TRUMPET |
|---|---|---|---|---|
| E0 - E4 Sforzando Fast Sforzando Slow Crescendo Swell Fast Swell Slow |
G1 - E5 Sforzando Fast Sforzando Slow Swell Fast Swell Slow Tongue Stop |
F#2 - G5 Blast FFF Sforzando Fast Sforzando Slow Swell Fast Swell Slow |
C2 - E5 Sforzando Fast Sforzando Slow Swell Fast Swell Slow Trill HS Trill Spin Str. Mute Sforz. Bend Stopped Blast Long FFF Blast Short FFF |
C3 - E6 Sforzando Fast Sforzando Mute Sforzando Slow Swell Fast Swell Medium Swell Slow Tongue Stop |
Expression
With expression release system. Tempo-synching and/or time stretching available for most expressions.
| SOLO TUBA | SOLO TROMBONE | SOLO HORN 1 | SOLO HORN 2 | SOLO TRUMPET |
|---|---|---|---|---|
| A0 - E4 True Legato |
C2 - D#5 True Legato |
B2 - C6 True Legato |
C2 - A4 True Legato |
C3 - E6 SC3 - E6 True Legato |
| SOLO TUBA | SOLO TROMBONE | SOLO HORN | SOLO TRUMPET |
|---|---|---|---|
| Ping High Sweep Down Hold Sweep Down Ping Sweep Down Stac. Sweep Up Hold Sweep Up Stac. Valve Warm Up |
Bend Long Bend Short Breath Cow Didgeridoo Fall Fast Fall Slow Sforzando Slide Short Sweep Up Sweep Up-Down Trill Flutter Trill HT Down Trill WT Up Valve Clearing |
Breath Sweep Down-Up Sweep Up Sweep Up-Down Trill Bend Stopped Valve Clearing Valve Clicks |
Bend Up Breath Fall Fast Fall Slow Short Flutter Trill Valve Warble Warm Up |
Effects
Aleatoric, clusters, discords, flourishes, stabs, sweeps, and more.
SYMPHONY ESSENTIALS – BRASS ENSEMBLE
| Trumpets Essential | Horns Essential | Trombones Essential | Tubas Essential |
|---|---|---|---|
| Sustain All Sust. Dbl. Tongue Sust. Flut. Tongue Trill Semi-Tone Trill Horse Trill Whole Tone Sust. Decrescendo Sust. Crescendo Sust. Str. Mute Staccato Stac. Triple Tongue Stac. Str. Mute Decrescendo Sforzando Crescendo Swell Blast FFF Str. Mute Decresc. Str. Mute Sforz. Str. Mute Cresc. Str. Mute Swell Staccato Velocity |
Sustain All Sust. Single Tongue Sust. Flut. Tongue Trill Semi-Tone Sust. Decrescendo Sust. Crescendo Sust. Stop Mute Staccato Stac. Stop Mute Blast FFF Decrescendo Sforzando Crescendo Swell Sforzando Slow Swell Slow Marc. Stop Mute Staccato Velocity |
Sustain All Sust. Str. Mute Sustain Trill Gliss Sust. Trill Tongued Sust. Decrescendo Sust. Crescendo Staccato Stac. Dbl. Tongue Stac. Triple Tongue Stac. Str. Mute Decrescendo Sforzando Crescendo Swell Trill Gliss Trill Tongued Blast FFF Staccato Velocity |
Sustain All Sustain Trill Sust. Decrescendo Sust. Crescendo Staccato Decrescendo Slow Decrescendo Fast Sforzando Crescendo Swell Fast Swell Slow Blast Long FFF Blast Short FFF Trill HS Staccato Velocity |
SYMPHONY ESSENTIALS – BRASS SOLO
| Solo Trumpet Essential | Solo Horn 1 Essential | Solo Horn 2 Essential | Solo Trombone Essential | Solo Tuba Essential |
|---|---|---|---|---|
| Sustain p Sustain mf Sustain f Sustain Cup Mute Sust. Harmon Mute Sust. Str. Mute Staccato p Staccato F Stac. Triple Tongue Stac. Tongue Stop Stac. Cup Wah Stac. Harmon Mute Stac. Str. Mute Sforzando Fast Sforzando Mute Sforzando Slow Swell Fast Swell Medium Swell Slow Tongue Stop Staccato Velocity |
Sustain p Sustain mf Sustain f Staccato p Staccato F Stac. Triple Tongue Stac. Tongue Stop Blast FFF Sforzando Fast Sforzando Slow Swell Fast Swell Slow Staccato Velocity |
Sustain p Sustain mf Sustain f Sust. Stop Mute Staccato p Staccato F Stac. Stop Mute Stac. Dbl. Tongue Sforzando Fast Sforzando Slow Swell Fast Swell Slow Trill HS Trill Spin Str. Mute Sforz. Bend Stopped Blast Long FFF Blast Short FFF Staccato Velocity |
Sustain p Sustain mf Sustain f Staccato p Staccato mf Staccato F Staccato FFF Stac. Tongue Stop Stac. Triple Tongue Sforzando Fast Sforzando Slow Swell Fast Swell Slow Tongue Stop Staccato Velocity |
Sustain p Sustain f Staccato p Staccato F Stac. Tongue Stop Stac. Dbl. Tongue Sforzando Fast Sforzando Slow Crescendo Swell Fast Swell Slow Staccato Velocity |
VIDEO TUTORIALS VON SOUNDIRON
Unser Partner Soundiron hat eine Reihe von Tutorial-Videos produziert, die sich mit den innovativen Features von SYMPHONY SERIES – BRASS befassen und zeigen, wie Sie damit perfekte Soundtracks produzieren.
ARTISTS
What the pros say about SYMPHONY SERIES - BRASS COLLECTION
Paul Haslinger
(Fear the Walking Dead, The Sleeper Cell, Underworld)
Symphony Series - Brass has all the key qualities I look for in an orchestral sample library: it is well recorded, well organized and it presents an interface that makes it adaptable for a wide spectrum of applications, from fast sketch writing to in-depth orchestration. A very nice job, indeed, and a promising start for the Symphony Series.
Simon Russell
(Pussy Riot: A Punk Prayer, Afghan Star, Canimals)
I own quite a few Brass libraries but Symphony Series - Brass is my “go to” library. It is very simple and straightforward to use, but most importantly, sounds incredibly real. The keyswitching and dynamics control mean you can compose very subtle, intricate, realtime performances that are incredibly lifelike without having to load multiple patches. I invariably work to tight deadlines and it gives me amazing brass sounds right out of the box.
Steve London
(Born to Be Blue, Bank$tas, Ripping Friends)
I think Native Instruments' Brass Ensemble is a great addition to my orchestral template. It has some great new sounds and effects and it can be a real time-saver for film composers as its keyswitched instruments are quickly configurable to any workflow.
Gerard Marino
(God of War 1 & 2, Gun, Spider-Man: Edge of Time)
Native Instruments' new brass library is impeccably recorded and will fit nicely into the pantheon of orchestral samples we use to produce modern screen music.
Sean Beeson
(Lumin, Cats In Space)
Symphony Series - Brass is a powerful set of deeply-recorded samples. The articulations and mic positions provide the flexibility for me to form and shape the sound any way I desire to fit any kind of score.
Antongiulio Frulio
(Anna Karenina, She and I, Nine)
The Symphony Series - Brass series is a step ahead in terms of detail and sound control and really breathes life into any of my mockups.
Deane Ogden
(Eastern Chronicle, Kwela)
Symphony Series - Brass is a breath of fresh air in a field crowded with products that just don't quite get you there. The solo staccatos alone were enough to prompt me to switch, but the library is recorded so well that I soon fell in love with certain patches that then became go-to ammunition for particular sonic tasks.
Cory Pelizarri
(Candy Box 2 official soundtrack)
What I love about the library is its flexibility and range of uses. It melts into whatever track you put it in, the sound is rich and real, and the articulations provided allow puzzling together of nuanced and lifelike performances. It can sound massive or intimate at your beckoning.
Ian Dorsch
(Stage of Development, Xbox Fitness)
Symphony Series - Brass is one of the smartest, best-sounding orchestral libraries in recent memory. It has a big, thrilling, immediately usable sound right out of the box, but multiple mic positions and deep tweakability mean that it can be successfully put to work in just about any kind of material.
Danny Cocke
(SERA, The Devil's in the Details, Evolve)
Symphony Series - Brass sounds amazing. It’s incredibly easy to quickly get any articulation I need. The tone is beautiful, warm, super clean, and the interface is the perfect combination of beautiful looking and easy to use.
Mathieu Hallouin
(Daredevil, Dirty Bomb, Shadow Realms)
Symphony Series - Brass is certainly one of the greatest brass sample libraries on the market. It combines lots of helpful articulations and the sound quality is truly stunning for orchestral composition. A must have!
Arkadiusz Reikowski
Layers Of Fear, Two Worlds 2, NecroVisioN)
Hands down, it's the most flexible and natural brass library out there. I am amazed with how intuitive and elegantly designed the interface is and how easy is to control it. The sound is top notch and feels alive to me. Instant addition.
SYMPHONY SERIES – BRASS rework
SYMPHONY SERIES – BRASS kombiniert BRASS ENSEMBLE und BRASS SOLO: Perfekt harmonierende Orchester-Instrumente für professionelle Produktionen.
Wenn du eine andere Version besitzt, hast du möglicherweise Anspruch auf einen besseren Preis. Melde dich an, um ihn zu sehen.
Download: available immediately
SYMPHONY SERIES – BRASS rework at a glance
| Produkt-Typ: | Sample-basierte Blechbläser, Ensemble- und Solo-Sounds |
|---|---|
| Anzahl der Libraries: | Separate SOLO- und ENSEMBLE-Libraries für SYMPHONY SERIES und SYMPHONY ESSENTIALS |
| Zur Nutzung mit: | Kostenloser KONTAKT PLAYER oder KONTAKT |
| Download-Größe: | 47 GB - SYMPHONY SERIES / 6,5 GB - SYMPHONY ESSENTIALS |
| Systemvoraussetzungen: | Kostenloser KONTAKT PLAYER oder KONTAKT. Bitte beachte auch die KONTAKT PLAYER-Systemvoraussetzungen und die KONTAKT PLAYER FAQ |
| Handbücher: | HANDBÜCHER FÜR SYMPHONY SERIES – BRASS HERUNTERLADEN HANDBÜCHER FÜR SYMPHONY ESSENTIALS - BRASS HERUNTERLADEN |