DAMAGE
de Native Instruments
EPIC REDEFINED
- Más de 30 GB con 700 loops, 500+ one-shots, 58 kits
- Flujo de trabajo ágil para una súper creatividad
- Crea stings y trailers con solo pulsar una tecla
EL SONIDO DE DAMAGE
DAMAGE te ofrece 30 GB de drama, fundiendo sonidos industriales y baterías orquestrales en una devastadora descarga electro-acústica. Los kits de percusión proporcionan más de 200 fuentes de percusión profundamente sampleadas y más de 500 elementos single-shot, grabados en hasta siete capas de velocidad y con hasta nueve round-robins por batería.
Más de 700 loops separados por compás se presentan como menu-style loop suites o como single loops para una modificación detallada. Pueden utilizarse en el acto sonidos incluso más complejos, y todo con calidad hasta el último detalle y de gran pantalla.
PERMISO PARA CASTIGAR
DAMAGE se integra perfectamente con tu DAW, con un flujo de trabajo integral para activar tu creatividad. La espectacular interfaz de usuario se diseñó específicamente teniendo en mente al compositor y diseñador de sonido. La sincronización del tempo es automática, y exportar los datos MIDI de un loop a tu secuenciador se hace simplemente arrastrando y soltando.
Consigue resultados rápidos con teclas integradas para reproducir efectos y remezclar loops sobre la marcha, y crea tráilers instantáneos con los exclusivos "Damage Hits". Después sintoniza el botón de "Punish" para exagerar la presión.
ACERCA DE HEAVYOCITY
Heavyocity son Dave Fraser, Neil Goldberg y Ari Winters: experimentados compositores y diseñadores de sonido de lo más destacado de la producción musical comercial. Su enfoque es sencillo: diseño innovador, instrumentos inspiradores y sonidos que sobrecargan de creatividad. Heavyocity pasó casi dos años creando DAMAGE: por suerte, nadie resultó herido.
Lee lo que se esconde detrás de DAMAGE.
[play type="video" url="https://www.youtube.com/watch?v=yw-VgIe1QlA" label="Behind the scenes"]
INFORMACIÓN SOBRE LOS INSTRUMENTOS
El sonido de DAMAGE viene de loops, kits y efectos. Todos los loops y kits están diseñados para lograr unas capas sin interrupciones y la máxima flexibilidad, además de estar ampliamente clasificadas en cuatro estilos: Epic Organic, Epic Tech, Industrial y Mangled Pop. Echa un vistazo a DAMAGE en el videotutorial.
[play type="video" url="https://www.youtube.com/watch?v=U-EQ1DwIQE0" label="Interface tutorial"]
LOOPS
DAMAGE cuenta con Loop Menus y Single Loops. Los Loop Menus son loops emparentados, mapeados de forma inteligente por el teclado para crear de forma rápida ritmos sincronizados. Mezcla y combina loops por diferentes estilos para crear ritmos únicos y por capas.
Los preajustes Single Loop combinan un control detallado y una jugabilidad intuitiva: modifica el nivel, el tambor y el afinado de cada parte, y utiliza activadores de teclado para que las piezas sean aleatorias, freeze, drop o reverse en tiempo real.
KITS
DAMAGE ofrece 58 kits de batería multisampleados, formados por más de 200 fuentes de percusión profundamente sampleadas y más de 500 elementos individuales single shot. Estos kits híbridos combinan instrumentos de percusión y objetos sampleados hasta conseguir un efecto devastador, inyectando potencia y personalidad a cualquier producción.
Los "Damage Hits" únicos consisten en impactos y colas por capas que pueden controlarse independientemente a través de la rueda. Perfecto para stings y transiciones.
EFECTOS
Tres niveles de efectos están intrínsecamente ligados a los loops y kits: aplica efectos de forma global, activa efectos de actuación o modifica sonidos individuales:
Master Effects controla la distorsión, la reverberación, el retraso, la marcha, y mucho más.
Trigger FX (aquí representados) son efectos modificables en tiempo real con una gama increíble para una modificación del sonido muy creativa e intuitiva.
El ecualizador y los filtros proporcionan un afinado sencillo pero efectivo por batería, y el botón de Punish lo preside todo, para ofrecer toda la firma y el carácter: solo tienes que sintonizar según quieras.
FUENTES DE SONIDO
Para DAMAGE, Heavyocity grabó percusión tradicional, snares y toms de primera y un surtido de objetos de madera y metal. Después se propusieron capturar fuentes sonoras más oscuras, como coches en explosión, grúas, un desguace, un contenedor, y grandes objetos lanzados desde mucha altura.
[play type="video" url="https://www.youtube.com/watch?v=yw-VgIe1QlA" label="Behind the scenes"]
DETRÁS DE DAMAGE
El equipo de Heavyocity habla sobre DAMAGE con sus propias palabras...
EL CAMINO HACIA DAMAGE
"Our goal was to break new ground by combining traditional drums with found-sounds to create a unique sonic blend. In our journey to capture an eclectic mix of percussive instruments, we decided early on that recording sources in multiple locations with different configurations would give DAMAGE the depth we were looking for.
We captured sound sources at Heavyocity’s studio in New York, Prism Sound Studios ‘The Church’ in Boston, Skyline Studios’ A Room in Manhattan, a junkyard in Connecticut and other locations."
Echa un vistazo detrás del escenario en el vídeo "Detras de Damage".
DOS AÑOS DE DETALLES
"Over the course of two years, we captured in-depth recordings of unique percussion. Over 26,500 samples were recorded at 96 kHz, 24-bit (all meticulously downsampled to 44.1 kHz 24-bit) using state of the art equipment, including SSL and Neve large format consoles, API, Wunder, Neve and Avalon Mic pre/EQs, and AKG, Mojave, Sennheiser, Lawson and Neumann Microphones.
A large part of DAMAGE’s deeply-sampled material consists of ensemble-style recordings. We captured these ensembles so they would deliver detailed performance dynamics (most with 9 round robins and 6 velocities) and a wide range of impact."
DESTRUCCIÓN DELIBERADA
"Staying true to the Heavyocity sound, we injected a darker, more aggressive side to DAMAGE (thus its name). We created high-impact one-shot hits by layering processed sounds, EQed with a $h!t-Ton of bottom.
One real standout kit is the signature ‘DAMAGE Hits’, providing devastating cinematic hits with unnerving tonal pads controlled with the mod wheel."
PROCESAR DAMAGE
"Manipulating the source material once it was captured was an equally important part of developing DAMAGE’s unique sound.
With Heavyocity’s ‘Music-Meets-Sound Design’ approach, we’ve always used a lot of outboard gear, plug-ins and layering of unconventional sounds to achieve inspiring sonic results."
DISEÑAR LA INTERFAZ DE USUARIO
"The DAMAGE GUI (Graphical User Interface) was a challenge. It had to be intuitive and inspiring, and incorporate both the rhythmic suites (loops) and the percussive kits (multi-samples/one shots). Instead of a one-size-fits-all-approach, we created GUIs for each instrument type.
We wanted the interface to exude a gritty attitude, and make people want to get their hands on it. After months of brainstorming and many revisions, we found just the right balance between functionality, playability, and plenty of attitude."
EFECTOS DAMAGE
"DAMAGE provides simple, intuitive ways to alter the sounds without leaving the interface. You have control over EQ, Filter, Tuning, and a wide range of master effects (Distortion, Lofi, Reverb, Delay, Compression). In many of the percussive kits, you also have the ability to tune, filter, and equalize each drum individually.
In addition to the master controls and effects, every preset contains the signature Punish Knob. Combining saturation, distortion, compression, and limiting, the Punish Knob creates an effect that can be both musical and devastating."
“IT CAME FROM OVER THERE...”
"One key feature for the multi-mic kits is the ability to place the drums in the stereo field. The Stage tab, found in presets with deeply sampled percussion and cinematic single-shots, allows you to quickly and easily place a drum in 1 of the 35 positions on a ‘stage’.
Using the three Master Mixer faders, you can easily change the decay characteristics and balance of the close, room and hall mic positions. You can also solo and mute each mic position, or decrease the sample footprint by purging unused microphone positions."
PERSONALIZAR LOS RITMOS
"With such a diverse collection of percussive loops, we wanted to provide a way to radically alter the grooves. The single loop ‘modifier’ controls allow you to reverse the order, stutter, skip, and randomize the playback of the loops’ slices on the fly. We actually exceeded our own expectations here — you can twist and reshape the loops into entirely different forms, making these little monsters your own.
You can change the tuning, level and pan of each slice. And for detailed rearrangement, just drag the loop’s MIDI data into your host sequencer."
TRIGGER FX 2.0
"With expanded control parameters, DAMAGE’s T-FX page builds on the successful ‘Trigger FX’ introduced in Evolve Mutations 2. Using your MIDI keyboard, you can add Punch, Phaser, Rotator, LoFi, Glitch FX, Pitch Sweeps, Filter Sweeps, and Delay to loops and single-shot drum kits, to mangle and tweak on the fly."
ARTISTAS
What the pros say about DAMAGE
El equipo de Heavyocity habla sobre DAMAGE con sus propias palabras...
JAMES NEWTON HOWARD
"Heavyocity has created another amazing product with Damage, it's scary good."
James Newton Howard ("The Fugitive", "Pretty Woman", "The Sixth Sense", "The Dark Knight", "Salt", "I Am Legend", "Michael Clayton", "King Kong")
HARRY GREGSON WILLIAMS
"The boys at Heavyocity have come up with another blinder in Damage - top notch sounds and the smart & creative programming tools needed to manipulate them. Job done!"
Harry Gregson-Williams ("Cowboys & Aliens", "Unstoppable", "X-Men Origins: Wolverine")
BRIAN TYLER
"Damage is a great musical tool for those looking for ballsy percussive sounds that will add color and vibrance to their tracks. It has great sounds and an intuitive interface."
Brian Tyler ("Fast Five", "Battle: Los Angeles", "Eagle Eye", "Law Abiding Citizen", "Terra Nova" - nominado como Film Composer of the Year por la International Film Music Critics Association).
JOHN DEBNEY
"Damage does just that. It gives you wonderfully sampled and programmed percussion and lets you do some serious damage with it. Heavyocity has not only produced a superb library. But they have given the composer the creative freedom to make it their own. Nice work guys!"
John Debney ("Iron Man 2", "No Strings Attached", "Dream House", "Predators", "The Passion of The Christ")
JAVIER NAVARRETE
"Damage is amazing. It manages to push the high standards of the previous creations of the Heavyocity team. Damage has the trademark of the industry, but in a wider and more poignant scope. Great cinematic stuff, energetic, refreshing, and inventive. Thanks!"
Javier Navarrete ("Pan's Labyrinth", "The Warrior's Way", "Inkheart" - Compositor nominado a los Oscars)
RAMIN DJAWADI
"Heavyocity has raised the bar with Damage; the sounds, controls, and the programming of Damage are truly inspirational."
Ramin Djawadi ("Iron Man", "Clash of the Titans", "Game of Thrones", "Prison Break", "Fright Night")
JASON GRAVES
“Damage is everything a composer wishes for in a virtual instrument - outstanding sounds combined with instant gratification and ultimate customization. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart's content is invaluable! Damage just became my go-to source for cutting edge rhythmic sounds."
Jason Graves ("Dead Space", "F.E.A.R.", "Command and Conquer")
DAVID BUCKLEY
"The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity's new offering will shatter all of them."
David Buckley ("The Town", "The Good Wife", "The Forbidden Kingdom")
DAMIAN TAYLOR
"I like having a huge pallet of sounds to draw from, and Damage has extended mine further. It's not just a preset factory though, there's so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too."
Damian Taylor (mezclador/ingeniero/programador/y más de Björk en su álbum "Biophilia")
JOHN DIGWEED Y NICK MUIR
"When we loaded up Damage, the sound quality of the samples took our breath away. It sounds absolutely awesome - huge!"
John Digweed & Nick Muir (Bedrock Records)
LIAM H (THE PRODIGY)
"I've always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special - it's the cinematic width and sound that makes it very different to anything else out there."
Liam H (The Prodigy)
CHASE & STATUS
"We were hoping that no one would find out about the new Damage pack from NI but the secret's out. Pure sickness from the best in the biz."
Chase & Status (Nominados a los BRIT Awards 2012)
JOE TRAPANESE
"Within seconds of installing DAMAGE it became an essential part of my studio. It's unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit."
Joe Trapanese ("The Raid", colaboraciones con Daft Punk para "Tron: Legacy", M83, ...)
JORGE CORANTE
"For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I'm especially fond of the interface's intuitive yet robust and unlimited programmability. I've been a longtime Heavyocity user, and I'm awestruck at their ability to producte new groundbreaking sample libraries that never disappoint."
Jorge Corante (escritorr/productor de "The Town", "CSI: Miami", "Ninja Assassin", "Scary Movie 3")
CLAUDE SAMARD-POLIKAR
"I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required."
Claude Samard-Polikar (MD de Jean-Michel Jarre, productor del vídeo juego "Rayman Arena", Premios "Best Music" Awards por la música de cine en "Bo Ba Bu" y "Christopher Roth")
PIETER A. SCHLOSSER
"Damage has become an integral part of my palette and it blends seamlessly regardless of the genre of music I'm working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ's and filters."
Pieter A. Schlosser ("Gears Of War 2+3", "Desperate Housewives", "The Lying
Game", "The Sims 3")
OPINIONES DE LA PRENSA
Reviews of DAMAGE
MUSIC TECH
"Easily the most powerful collection of cinematic percusison we've yet encountered. Damage certainly lives up to its name, and is the perfect means of scoring a modern FX-heavy soundtrack."
Choice Award!
Music Tech, Reino Unido, 12/2011
OHDRATDIGITAL
"Damage is a triple A instrument that uses Native Instrument's Kontakt player to house a massive soundbank of devastating percussion sounds that smash their way through your productions."
Ohdratdigital, Reino Unido, 12/2011
RESIDENT ADVISOR
"Damage is a bombastic library which will immediately be snapped up by sound designers and those working in composition for picture."
Resident Advisor, EE. UU., 11/2011
SOUNDSANDGEAR.COM
"If you're into movies/games, this is a no brainer. If you make any type of music that needs hard hitting, well recorded percussion, get this."
Soundsandgear.com, EE. UU., 11/2011
MACPROVIDEO.COM
"If you were to try to come up with the perfect tool for creating modern sounding, blockbuster style sound effects and beats, it would look an awful lot like Damage."
macProVideo.com, EE. UU., 11/2011
DAMAGE
Instrumento reproducible para una percusión cinemática épica impresionante. Baterías grandes más electrónica vanguardista, para bandas sonoras modernas.
Download: available immediately
DAMAGE at a glance
| Funciona con: | KONTAKT PLAYER gratuito y KONTAKT |
|---|---|
| Número de instrumentos | Rhythmic Suites incluye 865 NKI: 16 Loop Menus, 849 Single Loops Percussive Kits incluye 58 NKI: 13 Epic Organic Drums, 10 Ethnic Drums, 13 Metals, 9 Hybrid FX, 13 Damage Kits |
| Categorías de sonido | Epic Cinematic, Epic Tech, Industrial Electronic y Mangled Pop |
| Tamaño | 16 GB de samples (30 GB comprimido), más de 26.500 samples |
| Requisitos del sistema: | KONTAKT PLAYER gratuito y KONTAKT. Consulta también los requisitos del sistema de KONTAKT PLAYER y las preguntas frecuentes acerca de KONTAKT PLAYER. |
| Manual de usuarios: | Descargar manual |