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Scales

Abstract

The Scale engine maps the notes you play on the Kontrol S-Series MK3 keyboard to the closest notes contained in the selected scale. It features a vast amount of different scales that you can use to play your instruments. In Chord mode, you can use the scales to generate chords from single notes.

The Scale engine maps the notes you play using your keyboard or sequencer to the closest notes contained in the selected scale. It features a vast amount of different scales that you can use to play your instruments. In Chord mode, you can use the scales to generate chords from single notes. Combined with the Arpeggiator, you can play scales automatically with a variety of different motives and rhythms.

Playing a Scale

Playing Chords

You can play chords in the usual way by pressing any number of keys simultaneously (or send multiple MIDI notes simultaneously from the DAW), but you can also create and play chords by using Play Assist.

Notice

To play multiple notes in a chord simultaneously, the loaded product must be able to handle polyphony.

To play a chord by only pressing a single key on the keyboard, follow these instructions:

Editing Scales and Chords

You can tailor the scales and chords to your needs using the Scale engine parameters.

  • You can select the scale to be mapped to the keys of the keyboard and set its root note by using the SCALE parameters Root Note, Bank, and Type. For more information, refer to Scale Parameters.

  • You can define how the selected scale is mapped to the keys of the keyboard by using the KEY MODE parameter Mode. For more information, refer to Key Mode Parameter.

  • You can automatically generate custom chords while playing on the keyboard by using the CHORD parameters Mode, Type, and Position. For more information, refer to Chord Parameters.

Accessing the Scale Parameters

To access the Scale parameters on your keyboard, do the following:

  1. Check that the PLAY ASSIST button is brightly lit. If not, press it to display the parameters for the Scale and Arp engines.

  2. Press Button 1 (Scale) to display the Scale parameters.

    The Button 1 lights up brightly and the Scale label below Button 1 is highlighted, indicating that you are editing the Scale parameters.

Tip

When the PLAY ASSIST button is on, the Button 1 color indicates whether the Scale engine is on (cyan) or off (white), while its brightness indicates if the Scale parameters are displayed (brightly lit) or not (dimmed).

Scale Parameters

The SCALE parameters Root Note, Bank, and Type allow you to select the scale to be mapped to the keys of the keyboard and set its root note.

KS-MK3_D_PlayAssist-Scale-SCALEParameters.jpg

Scale Root Note

The first SCALE parameter is Root Note. Setting the root note of a scale means deciding what key the scale will begin with. The following notes of the scale depend on which scale pattern you select with the SCALE Type parameter (see below). You can transpose any scale pattern up or down by selecting a different Root Note.

The Root Note setting includes the following values:

  • C, C#, D, D#, E, F, F#, G, G#, A, A#, B

Scale Bank and Type

The second and third SCALE parameters from the left are Bank and Type. Use them to decide the scale pattern according to which the notes will be mapped onto the keys of the keyboard. Each Bank consists of 15 thematically related scales, which can be selected by using the Type control.

For example, using the default Root Note value C combined with the default Type Major from the default Bank Main, you get the scale C major, which spans over one octave and contains the notes C, D, E, F, G, A, and B (followed by C again). If instead you select G as your Root Note, the G major scale contains the notes G, A, B, C, D, E, and F♯ (followed by G again). You will notice that the distance between each note follows the same pattern of “whole step–whole step–half step–whole step–whole step–whole step–half step,” which is the pattern of the Major scale.

If you are triggering an Instrument via an incoming MIDI pattern from the DAW, the notes of the MIDI pattern will be mapped onto the closest keys belonging to the selected Type. This means that, for example (with Root Note set to C) a MIDI pattern consisting of the notes C-D-D♯ will be played back as such if Type is set to Chromatic from Bank Main, but instead as C-D-E if Type is set to Major.

Note

The actual keys triggering the scale notes, as well as the behavior of inactive keys (unlit LEDs) depend on the KEY MODE Mode parameter (Knob 4).

The following scales are available:

Main Scales

Scale

Bank

Type

Degrees

Chromatic

Main

Chrom

1 ♭2 2 ♭3 3 4 ♭5 5 ♭6 6 ♭7 7

Major

Main

Major

1 2 3 4 5 6 7

Minor

Main

Minor

1 2 ♭3 4 5 ♭6 ♭7

Harm Min

Main

Harm Min

1 2 ♭3 4 5 ♭6 7

Maj Pent

Main

Maj Pent

1 2 3 5 6

Min Pent

Main

Min Pent

1 ♭3 4 5 ♭7

Blues

Main

Blues

1 ♭3 4 ♯4 5 ♭7

Japanese

Main

Japanese

1 2 ♭3 5 ♭6

Freygish

Main

Freygish

1 ♭2 3 4 5 ♭6 ♭7

Hungarian Min

Main

Hung Min

1 2 ♭3 ♯4 5 ♭6 7

Arabic

Main

Arabic

1 ♭2 3 4 5 ♭6 7

Altered

Main

Altered

1 ♭2 ♯2 3 ♯4 ♭6 ♭7

Whole Tone

Main

WH Tone

1 2 3 ♯4 ♯5 ♭7

H-W Dim

Main

H-W Dim

1 ♭2 ♯2 3 ♯4 5 6 ♭7

W-H Dim

Main

W-H Dim

1 2 ♭3 4 ♯4 ♯5 6 7

Modes Scales

Scale

Bank

Type

Degrees

Ionian

Modes

Ionian

1 2 3 4 5 6 7

Dorian

Modes

Dorian

1 2 ♭3 4 5 6 ♭7

Phrygian

Modes

Phrygian

1 ♭2 ♭3 4 5 ♭6 ♭7

Lydian

Modes

Lydian

1 2 3 ♯4 5 6 7

Mixolydian

Modes

Mixolyd

1 2 3 4 5 6 ♭7

Aeolian

Modes

Aeolian

1 2 ♭3 4 5 ♭6 ♭7

Locrian

Modes

Locrian

1 ♭2 ♭3 4 ♭5 ♭6 ♭7

Ionian b2

Modes

Ion b2

1 ♭2 3 4 5 6 7

Dorian b5

Modes

Dor b5

1 2 ♭3 4 ♭5 6 ♭7

Harm Phryg

Modes

Har Phry

1 ♭2 ♭3 4 5 ♭6 7

Phryg Major

Modes

Phry Maj

1 ♭2 ♭3 4 5 6 7

Lydian b3

Modes

Lyd b3

1 2 ♭3 ♯4 5 6 7

Major Locrian

Modes

Maj Loc

1 2 3 4 ♭5 ♭6 ♭7

Minor Locrian

Modes

Min Loc

1 2 ♭3 4 ♭5 ♭6 ♭7

Super Locrian

Modes

Sup Loc

1 ♭2 ♭3 ♭4 ♭5 ♭6 ♭7

Jazz Scales

Scale

Bank

Type

Degrees

Lydian ♭7

Jazz

Lyd ♭7

1 2 3 ♯4 5 6 ♭7

Altered

Jazz

Altered

1 ♭2 ♯2 3 ♯4 ♭6 ♭7

Diminished

Jazz

Diminshd

1 ♭2 ♯2 3 ♯4 5 6 ♭7

Mixo b13

Jazz

Mix b13

1 2 3 4 5 ♭6 ♭7

Mixo b9 b13

Jazz

Mixb9b13

1 ♭2 3 4 5 ♭6 ♭7

Lydian ♭7 b2

Jazz

Lyd ♭7b2

1 ♭2 3 ♯4 5 6 ♭7

Bebop

Jazz

Bebop

1 2 3 4 5 6 ♭7 7

Whole Tone

Jazz

Whole Tn

1 2 3 ♯4 ♯5 ♭7

Blues Maj

Jazz

Blues Ma

1 2 ♭3 3 5 6

Blues Min

Jazz

Blues Mi

1 ♭3 4 ♯4 5 ♭7

Blues Combined

Jazz

BluesCmb

1 2 ♭3 3 4 ♯4 5 6 ♭7

Lydian #5

Jazz

Lyd #5

1 2 3 ♯4 ♯5 6 7

Jazz Minor

Jazz

Jazz Mi

1 2 ♭3 4 5 6 7

Half Dim

Jazz

Half Dim

1 2 ♭3 4 ♭5 ♭6 ♭7

Augmented

Jazz

Augmentd

1 ♭3 3 5 ♯5 7

World Scales

Scale

Bank

Type

Degrees

Hungarian Min

World

Hung Min

1 2 ♭3 ♯4 5 ♭6 7

Hungarian Maj

World

Hung Maj

1 ♯2 3 ♯4 5 6 ♭7

Neapolitan

World

Neapoltn

1 ♭2 ♭3 4 5 ♭6 7

Spanish

World

Spanish

1 ♭2 ♭3 3 4 5 ♭6 ♭7

Greek

World

Greek

1 2 ♭3 ♭4 5 ♭6 ♭7

Jewish 1

World

Jewish 1

1 ♭2 3 4 5 ♭6 ♭7

Jewish 2

World

Jewish 2

1 2 ♭3 ♯4 5 6 ♭7

Indian 1

World

Indian 1

1 ♭2 ♭3 ♯4 5 ♭6 7

Indian 2

World

Indian 2

1 2 ♭3 ♯4 5 6 7

Indian 3

World

Indian 3

1 ♭2 2 4 5 ♭6 6

Indian 4

World

Indian 4

1 ♯2 3 4 5 ♯6 7

Mid East 1

World

M East 1

1 ♭2 3 4 5 ♭6 7

Mid East 2

World

M East 2

1 ♭2 3 4 ♭5 ♭6 7

Mid East 3

World

M East 3

1 ♭2 ♭3 4 ♭5 6 ♭7

Mid East 4

World

M East 4

1 ♭2 3 4 ♭5 6 ♭7

5-Tone Scales

Scale

Bank

Type

Degrees

Penta I

5-Tone

Pent I

1 2 3 5 6

Penta II

5-Tone

Pent II

1 2 4 5 ♭7

Penta III

5-Tone

Pent III

1 ♭3 4 ♭6 ♭7

Penta IV

5-Tone

Pent IV

1 2 4 5 6

Penta V

5-Tone

Pent V

1 ♭3 4 5 ♭7

Hirajoshi

5-Tone

Hira

1 2 ♭3 5 ♭6

Insen

5-Tone

Insen

1 ♭2 4 5 ♭7

Kokin Joshi

5-Tone

Kokin

1 2 4 5 ♭6

Akebono

5-Tone

Akebono

1 2 ♭3 5 6

Ryukuan

5-Tone

Ryukuan

1 3 4 5 7

Abhogi

5-Tone

Abhogi

1 2 ♭3 4 6

Bhupkali

5-Tone

Bhupkali

1 2 3 5 ♭6

Hindolam

5-Tone

Hindolam

1 ♭3 4 ♭6 ♭7

Bhupalam

5-Tone

Bhupalam

1 ♭2 ♭3 5 ♭6

Amritavarshini

5-Tone

Amrita

1 3 ♯4 5 7

Modern Scales

Scale

Bank

Type

Degrees

Octatonic

Modern

Octatonc

1 2 ♭3 4 ♯4 ♯5 6 7

Acoustic

Modern

Acoustic

1 2 3 ♯4 5 6 ♭7

Augmented

Modern

Augmentd

1 ♭3 3 5 ♯5 7

Tritone

Modern

Tritone

1 ♭2 3 ♭5 5 ♭7

Leading Wh Tone

Modern

Lead Wh

1 2 3 ♯4 ♯5 ♯6 7

Enigmatic

Modern

Enigmatc

1 ♭2 3 ♯4 ♯5 ♯6 7

Scriabin

Modern

Scriabin

1 2 3 ♯4 6 ♭7

Tcherepnin

Modern

Tcherepn

1 ♯1 ♯2 3 4 5 ♯5 6 7

Messiaen I

Modern

Mes I

1 2 3 ♯4 ♯5 #6

Messiaen II

Modern

Mes II

1 ♭2 ♯2 3 ♯4 5 6 ♭7

Messiaen III

Modern

Mes III

1 2 ♭3 3 ♯4 5 ♭6 ♭7 7

Messiaen IV

Modern

Mes IV

1 ♭2 2 4 ♯4 5 ♭6 7

Messiaen V

Modern

Mes V

1 ♭2 4 ♯4 5 7

Messiaen VI

Modern

Mes VI

1 2 3 4 ♯4 ♯5 ♯6 7

Messiaen VII

Modern

Mes VII

1 ♭2 2 ♭3 4 ♯4 5 ♭6 6 7

Major Scales

Scale

Bank

Type

Degrees

Natural

Major

Natural

1 2 3 4 5 6 7

Lydian

Major

Lydian

1 2 3 ♯4 5 6 7

Mixolydian

Major

Mixolyd

1 2 3 4 5 6 ♭7

Major Minor

Major

Maj Min

1 2 3 4 5 ♭6 ♭7

Harmonic Major

Major

Har Maj

1 2 3 4 5 ♭6 7

Dbl Har Major

Major

Dbl Maj

1 ♭2 3 4 5 ♭6 7

Neapolitan Maj

Major

Nea Maj

1 ♭2 3 4 5 6 7

Major Locrian

Major

Maj Loc

1 2 3 4 ♭5 ♭6 ♭7

Blues Major

Major

Blues Ma

1 2 ♭3 3 5 6

Bebop Major

Major

Bebop Ma

1 2 3 4 5 ♯5 6 7

Hexa 1

Major

Hexa 1

1 2 3 5 6 7

Hexa 2

Major

Hexa 2

1 2 3 4 5 6

Penta 1

Major

Penta 1

1 2 3 5 6

Penta 2

Major

Penta 2

1 3 4 5 7

Penta 3

Major

Penta 3

1 3 5 6 7

Minor Scales

Scale

Bank

Type

Degrees

Natural

Minor

Natural

1 2 ♭3 4 5 ♭6 ♭7

Dorian

Minor

Dorian

1 2 ♭3 4 5 6 ♭7

Phrygian

Minor

Phrygian

1 ♭2 ♭3 4 5 ♭6 ♭7

Minor Major

Minor

Min Maj

1 2 ♭3 4 5 6 7

Harmonic Minor

Minor

Har Min

1 2 ♭3 4 5 ♭6 7

Dbl Har Minor

Minor

Dbl Min

1 2 ♭3 ♯4 5 ♭6 7

Neapolitan Min

Minor

Nea Min

1 ♭2 ♭3 4 5 ♭6 7

Minor Locrian

Minor

Min Loc

1 2 ♭3 4 ♭5 ♭6 ♭7

Blues Min

Minor

Blues Mi

1 ♭3 4 ♯4 5 ♭7

Bebop Minor

Minor

Bebop Mi

1 2 ♭3 4 5 ♭6 ♭7 7

Hexa 1

Minor

Hexa 1

1 2 ♭3 5 ♭6 ♭7

Hexa 2

Minor

Hexa 2

1 2 ♭3 4 5 ♭6

Penta 1

Minor

Penta 1

1 2 ♭3 5 ♭6

Penta 2

Minor

Penta 2

1 ♭3 4 5 ♭7

Penta 3

Minor

Penta 3

1 ♭3 5 ♭6 ♭7

Key Mode Parameter

The KEY MODE Mode menu consists of the following three modes, which are described in detail below:

  • Guide

  • Mapped (default value)

  • Easy

Easy Mode

In Easy mode, the notes of the selected scale are mapped to the keyboard so that any scale can be played using the white keys of the keyboard only. The black keys are inactive and pressing them will not trigger any other notes.

Notice

Selecting the 12-step chromatic scale in KEY MODE Easy maps the keys in the same way as in the Mapped mode.

The Root Note is always mapped to the middle C key (commonly called C3). If the selected scale consists of seven notes, it matches the seven white keys of a single octave on the keyboard. In this case, the Root Note coincides with the key C across all octaves of the keyboard. If instead the selected scale consists of more or less than seven notes, it does not match the seven white keys of a single octave on the keyboard and the Root Note is shifted throughout adjacent octaves accordingly.

For two examples of the Easy mode mappings in Major and Minor, refer to below.

Scale Type

Key Mappings in Easy Mode

White keys:

C3

D3

E3

F3

G3

A3

B3

Major

Corresponding mappings:

1

2

3

4

5

6

7

Example with root note C:

C

D

E

F

G

A

B

Minor

Corresponding mappings:

1

2

♭3

4

5

♭6

♭7

Example with root note C:

C

D

♭E

F

G

♭A

♭B

Chord Parameters

The CHORD parameters Mode, Type and Position allow you to define the chord to be played using the Chord function.

Chord Mode

The first CHORD parameter is Mode. Use it to generate chords from single notes, either from the keyboard or from incoming MIDI notes from the DAW.

KS-MK3_D_PlayAssist-Scale-CHORD-Mode.jpg

CHORD Mode has one inactive (Off) and two active states, which are described in detail below:

  • Off

  • Harmonizer

  • Chord Set

Harmonizer

If CHORD Mode is set to Harm (Harmonizer), the CHORD Type menu allows you to specify the interval of notes in the selected SCALE Type that will constitute the chord: For example, a triad in the form of the root note, the third note, and the fifth note (CHORD Type value 1-3-5).

Chord Set

If CHORD Mode is set to Chord Set (Chord Set), the CHORD Type menu allows you to choose from a selection of major and minor chords depending on the current Root Note.

Notice

The SCALE Type and KEY MODE Mode parameters are not available when CHORD Mode is set to Chord Set.

Chord Type

The second CHORD parameter is Type. Use it to select the chord that will be generated from a single note used as input.

KS-MK3_D_PlayAssist-Scale-CHORD-Type.jpg

The available CHORD Type values depend on whether CHORD Mode is set to Harmonizer or Chord Set, as described in detail below.

CHORD Type, CHORD Mode Set to Harmonizer

If CHORD Mode is set to Harmonizer, then CHORD Type will offer you a selection of individual notes present in the selected SCALE Type. This means that for all scales except the 12-tone Chrom scale (chromatic scale, refer to further below), you can select the interval of notes that will make up your chord.

When CHORD Mode is set to Harm, the CHORD Type setting includes the following values:

Chord Type

Interval Added to Played Note

Octave

Octave

1-3

3rd

1-5

5th

1-3-5

3rd and 5th

1-4-5

4th and 5th

1-3-5-7

3rd, 5th and 7th

1-4-7

4th and 7th

CHORD Type, CHORD Mode Set to Chd Set

If CHORD Mode is set to Chord Set and, for example, the Root Note is set to C, then the CHORD Type menu presents you with a list of selectable chords. Values are, e.g., Maj 4 and Min 7, which would generate a major and minor chord, respectively, both using C as the chord’s root note.

When CHORD Mode is set to Chord Set, the CHORD Type setting includes the following values:

  • Maj  1, Maj 2, Maj 3, Maj 4, Maj 5, Maj 6, Maj 7, Maj 8, Min 1, Min 2, Min 3, Min 4, Min 5, Min 6, Min 7, Min 8

CHORD Type and the Chromatic Scale

The Chrom (chromatic) scale consists of every semitone in an octave. This means that when you play every white key and every black key of an octave up or down, you are playing the 12-step chromatic scale. Since all semitones of an octave are present in the scale, you can use all keys to form chords. In turn, selecting Chrom as SCALE Type means that you can select virtually any CHORD Type. The following chords are available and can be generated:

Chord Type

Semitones Added above Played Note

Octave

12

Perf 4 (Perfect 4)

5

Perf 5 (Perfect 5)

7

Major

4 and 7

Minor

3 and 7

Sus 4 (Suspended 4)

5 and 7

Maj 7 (Major 7)

4, 7 and 11

Min 7 (Minor 7)

3, 7 and 10

Dom 7 (Dominant 7)

4, 7 and 10

Dom 9 (Dominant 9)

4, 7, 10 and 14

Min 7 ♭5 (Minor 7 ♭5)

3, 6 and 10

Dim 7 (Diminished 7)

3, 6 and 9

Aug (Augumented)

4 and 8

Quartal

5, 10 and 15

Trichord

5 and 11

ChordPosition

The third CHORD parameter is Position. Use it to spread the notes of a chord generated from a single note and to aid a more musical transition between chords.

KS-MK3_D_PlayAssist-Scale-CHORD-Position.jpg

The Position parameter is available when CHORD Type is set to Harmonizer or Chord Set and includes the following values:

Position

Description

Root

The root position of the selected chord is always played.

-1 to -8

Decreasing Position with negative values moves the highest note of the current chord down by an octave, this inverts the chord to a lower position in the selected scale.

+1 to +8

Increasing Position with positive values moves the lowest note of the current chord up by an octave, this inverts the chord to a higher position in the selected scale.

Auto

This provides a more human feel in the transition from one chord to another. The notes used to form each chord are automatically selected to provide the best inversion.